“ Zebra crossing ”
I rarely take street shots with no one in them, but here I thought the empty road was more compelling on its own - both in terms of drawing the eye to the middle, but also to convey a sense of void which seemed appropriate for that gloomy grey winter afternoon...

Also - some personal ...
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Photo Location: London, UK
This photo qualifies for the "Extra Challenge": Street Photography
  • Kati K Edited 3 years ago

    You have great leading lines. The zigzag-line in the middle is really catching my eye. In the empty street the zebra crossing and the lines are the main points. If there… more

    You have great leading lines. The zigzag-line in the middle is really catching my eye. In the empty street the zebra crossing and the lines are the main points. If there would be any person, that would take the focus.

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  • Joshika Pranjivan Edited 3 years ago

    It's a well composed shot Julie.  Congratulations on your 52nd submission.

    It's a well composed shot Julie.  Congratulations on your 52nd submission.

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  • Lisa Ann Robertson Edited 3 years ago

    I  like the way this picture is both centred and curved. It did make think a little bit of the Abbey Road album cover. It's literal street photography. Nicely done… more

    I  like the way this picture is both centred and curved. It did make think a little bit of the Abbey Road album cover. It's literal street photography. Nicely done and congratulations on 52 submissions!

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  • Bryna Messmer Edited 3 years ago

    I like the leading lines of the middle of the street. The sweep to the background is really beautiful.
    Congratulations on your 52 goal!

    I like the leading lines of the middle of the street. The sweep to the background is really beautiful.
    Congratulations on your 52 goal!

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Regular Critique
Shred away! I feel no pain.
Please be extra sensitive with your critique
Not interested in critique but feel free to comment
Fujifilm X-T30 Fujifilm 23mm /f/2
1/500 f/2 23

Tags

#InTheMiddle

Genre/Technique

Street Photography Landscape

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